1
Professor of Persian language and literature, University of Kurdistan, t.malmir@uok.ac.ir
2
Master's degree in Persian language and literature, University of Kurdistan; Teacher of education in Sanandaj.
http://doi.org/10.22034/heroic.2024.2.2.11
Abstract
Despite many obstacles and difficulties, Ferdowsi's Shahnameh, as a literary masterpiece and record of national identity, entered the lives of people right after its publication. Thenceforth, generations of people have chosen different forms of preserving this masterpiece, according to their time and lifestyle. Minstrelsy or performance of Shahnameh is among these forms. This famous and ancient form, despite all its values, is giving its place to new dramatic forms. Shahnameh's artistic language and its dramatic aspects has given modern artists the opportunity to form its stories into other literary forms, including drama. To show the strong dramatic aspects of Shahnameh, we have chosen five plays derived from the story of Siavash in Shahnameh. To identify and analyze the values and the shortcomings of these plays we have applied Wagner's categories of imitation. This study shows that the playwrights are usually inclined to interpretive imitation, and that comparative imitation and displacement are done not according to the general audience, but according to the modern tendencies in literature an art.
حنیف، محمد. (1384). قابلیتهای نمایشی شاهنامه. چاپ اول. تهران: سروش و مرکز تحقیقات مطالعات و سنجش برنامهای.
راهگانی، روح انگیز. (1387). تاریخ نمایش، تئاتر و اسطوره در عهد باستان. چاپ اول. تهران: قطره.
ستاری، جلال. (1376). آیین و اسطوره در تئاتر. چاپ اول. تهران: توس.
صابری، پری. (1382). سوگ سیاوش. چاپ اول. تهران: سخن.
فلاح، غلامعلی. (1387). «گفتوگو در شاهنامه». مجله دانشکده ادبیات و علوم انسانی دانشگاه تربیت معلم. سال16. شماره60. صص105-83.
فردوسی، ابوالقاسم. (1374). شاهنامه. به کوشش سعید حمیدیان. جلد3. چاپ دوم. تهران: داد.
قادری، بهزاد. (1382). چشماندازی به ادبیات نمایشی: گذر از ارسطو به پسامدرنیسم و پسااستعمار. چاپ اول. کرمان: دانشگاه شهید باهنر.
کیانوش. محمود. (1384). ازخون سیاوش. چاپ اول. تهران: قطره.
میرباقری، مهدی. (1387). زمستان در آتش. چاپ اول. تهران: فراز.
ناظرزاده کرمانی، فرهاد. (1368). نمادگرایی در ادبیات نمایشی. چاپ اول. تهران: برگ.
نظرزاده، رسول. (1387). «چگونگی حضور ادبیات در ساختار سینما». گردآورنده: محمود اربابی. مجموعه مقالات اولین هماندیشی سینما و ادبیات. تهران: فرهنگستان هنر. صص86-63.
Malmir,T. and Khoshnemay Bahrami,C. (2024). Analytical comparison of the text of plays based on Siavash's story with Ferdowsi's narration. Journal of Heroic Literature, 2(2), 177-192. doi: http://doi.org/10.22034/heroic.2024.2.2.11
MLA
Malmir,T. , and Khoshnemay Bahrami,C. . "Analytical comparison of the text of plays based on Siavash's story with Ferdowsi's narration", Journal of Heroic Literature, 2, 2, 2024, 177-192. doi: http://doi.org/10.22034/heroic.2024.2.2.11
HARVARD
Malmir T., Khoshnemay Bahrami C. (2024). 'Analytical comparison of the text of plays based on Siavash's story with Ferdowsi's narration', Journal of Heroic Literature, 2(2), pp. 177-192. doi: http://doi.org/10.22034/heroic.2024.2.2.11
CHICAGO
T. Malmir and C. Khoshnemay Bahrami, "Analytical comparison of the text of plays based on Siavash's story with Ferdowsi's narration," Journal of Heroic Literature, 2 2 (2024): 177-192, doi: http://doi.org/10.22034/heroic.2024.2.2.11
VANCOUVER
Malmir T., Khoshnemay Bahrami C. Analytical comparison of the text of plays based on Siavash's story with Ferdowsi's narration. Journal of Heroic Literature, 2024; 2(2): 177-192. doi: http://doi.org/10.22034/heroic.2024.2.2.11
