By selection, Ferdowsi collected most of his earlier narrations, which were narrated in books such as Sir al-Muluk, Khodaynameh, Shahnameh of Abu al-Muayyid Balkhi, Shahnameh of Abu Mansouri (prose), and Goshtasbnameh (Daqiqi), and later, the main reference of people and epic Readers. The composition of the Shahnameh created three waves of imitators or followers, lovers and admirers, and finally opponents. Mokhtari and other epic poets after Ferdowsi tried to narrate stories that Ferdowsi did not include in his great Shahnameh or ignored their length and detail and brought only a part of the story or made references to it. Stand at the foot of the epic palace. Of course, Iranshah (Iranshan) Ibn Abi al-Khair and Asadi Tusi are successful followers of Ferdowsi. The importance of Osman Mokhtari's work is due to the fact that he is in the circle of the opponents of Shahnameh, that is, those affiliated with the Ghaznavid court. This research has tried to examine the position of Shahriyarnameh and Osman Mokhtari in the epic by describing and analyzing and intertextual view and textual effect on another text, and then, briefly compares Shahriyarnameh with Shahnameh in terms of literature, language and thought. In this way, explain how the Shahnameh affects the Shahriyarnameh. The findings show that Mokhtari, in order to get rid of the apprehension of influence, has made changes in the form, structure and content of his work compared to Shahnameh, which has caused his work to become popular.